For more information about this project, check out the earlier posts in the category “Sense and Sensibility and Placage.” Claude was particularly dumb with this scene. Inspite of repeated instructions to ignore a spot in the outline for this scene, which had Elise telling Eleonore who the father of the former’s child was, the AI just kept doing it. I finally edited it out of the fourth draft. That one was my fault for not fixing the continuity of the outline better. But the transportation logistics were all on Claude. It started with Eleonore commuting up to the Morin property by steam ferry (in 1813, Claude?) in the first draft, and continued in later drafts with her occasionally traveling there in her mother’s carriage (yeah, no, they’re not wealthy enough to have one anymore) and having her ride fifteen miles to the Morin home only to turn around and go back the same day (yeah no). On the plus side, when I spelled out the parameters for what the story needed the Morin home to be (farm worked by free labor, manageable distance from town, but considered a healthier place to live, and far enough to be a discreet place to give birth to a love child, plants compatible with Creole medicine), Claude offered sound advice. We also had a productive discussion about the slave uprising of 1811 in the German Coast, which you will see some references to below. Eventually, as you can see, I decided this needed to be Marianne POV instead of Eleonore, and that is reflected in the version below.
Caring for Elise
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