Fanficcing with Claude: The Rector’s Other Business, Chapter 1

As with most of the fanfic ideas I outsource to Claude.ai, this was something that I wanted to read but did not strongly want to write. The notes about how this was written and which parts are human versus AI will be posted after the story is finished. My apologies in advance to Riders of Skaith, who is one of the few people who will “get” the core idea, because we have a number of chapters to go before we see the smugglers at work.

The carriage belonging to Lady Catherine de Bourgh was better sprung than anything I could have afforded on a clergyman’s income, which was the point. One does not send one’s rector to negotiate a delicate matter in a vehicle that announces his poverty before he opens his mouth. Lady Catherine understood this. She understood most things that bore on her own interests, which was very nearly her only redeeming trait.

Her other redeeming trait was her discretion. A woman who receives tax-free goods, smuggled in from the Continent through a network of free-traders she is careful to ignore, has strong incentives to keep certain matters private. We had arrived at this understanding within three months of my taking the living at Hunsford. I had never been fool enough to believe she did not know, and she had never been fool enough to pretend she did not know that I knew she knew. It was, as these things go, a functional arrangement.

The Bennet situation was her idea. This is worth stating plainly, because nothing that follows should be attributed to sentiment or ambition on my part. I am the heir to Longbourn through a chain of inheritance I had no hand in designing and find mildly absurd in its particulars. The estate is entailed. Mr. Bennet has five daughters and no son. The mathematics are not complicated. Lady Catherine, who regards uncomplicated mathematics as an opportunity for management, had made a suggestion to me with her customary delicacy. By which I mean that she had stated the idea as a settled fact over the second remove of a dinner at which I had no opportunity to object. The suggestion was that I should call at Longbourn, make myself agreeable to one of the daughters, and secure the succession in a manner that would reflect well on my establishment at Hunsford and cause no inconvenience to anyone.

The daughter in question, she had indicated, should be one of the elder two, both of whom were reportedly handsome, well-behaved, and of an age to manage their own establishment. Beyond that, Lady Catherine had left the selection to my judgment, which was either confidence in my discernment or indifference to the outcome. Possibly both. Lady Catherine’s opinions about marriage tended toward the practical rather than the personal. Where my own case was concerned, I found myself inclined to agree with her.

However, my own requirements were somewhat more specific. I needed a wife who would be an adequate mistress of a parsonage, who would be pleasant company for the sort of people I was obliged to entertain, and most importantly, who would not ask questions about what I did when I was not in view. A curious wife was a liability I had no intention of acquiring. A clever wife was worse. A clever, curious wife with good instincts and nothing better to do than wonder why her husband was occasionally absent between midnight and four in the morning would be catastrophic.

Continue reading “Fanficcing with Claude: The Rector’s Other Business, Chapter 1”

Thursday Videos: Fire When Ready

https://youtube.com/shorts/6oPYHShn3AQ

A rogue asteroid is on a collision course with the Lucas settlement. William Darcy doesn’t wait for permission. He teleports the Last Repose alongside it and opens fire. From Pride & Planetoids, a sci-fi retelling of Pride and Prejudice set in the Kuiper Belt. Low heat should not equal low drama. 📚 READ PRIDE & PLANETOIDS NOW! #PrideAndPlanetoids #SciFiRomance #SpaceOpera #PrideAndPrejudiceInSpace #JaneAustenRetelling #spaceaction #asteroidbelt #marchership #scifiaction #competentheroes 🎬 ABOUT THESE VIDEOS: These videos feature AI-generated visuals (Midjourney) and music (Suno). The stories themselves are 100% human-written.

The Last Repose and Mr. Darcy: A Profile of Albion’s Most Private Marcher 

The Albion Courier, Features Desk 

[William Darcy, Marcher of the Last Repose, declined multiple requests for interview. This profile was assembled from public records, Parliamentary testimony, and conversations with crew members who asked not to be named.] 

There is a moment, when the Last Repose comes into view, when you understand why people find William Darcy difficult to ignore. 

The ship is enormous. That much you know from the figures. At somewhere north of thirty kilometers in diameter, this is the largest marcher-ship in active service in Albion Space, and one of the oldest. What the figures do not prepare you for is the Repose’s shape. Where every other marcher-ship in the family wears its asteroid origins plainly, that characteristic lumpen potato silhouette, the Last Repose is a sphere. Not by design: the original asteroid was simply, and unusually, spherical, a geological accident that the first Darcy to claim her evidently considered worth keeping. Generations of maintenance have preserved that shape, pitted and scarred and dark with age, but unmistakably round. 

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Book Quote Tuesday: Pride & Planetoids

On this May the Fourth, Spot the References in Pride & Planetoids 

I’ve previously told the story of how one man’s peculiar career choices led to me asking the question: “What if Darcy went around destroying planets?” and writing a whole book about the answer. But somewhere along the way, I realized that this gentleman was not the only actor to jump from Jane Austen to Star Wars (or vice versa) in a professional capacity. Reader, I set out to include nods to them all. This proved to be tricky because there were two Jane Austen adaptations and one Austen spinoff (The Other Bennet Sister) which went into production while I was writing Pride & Planetoids. Why are Mrs. Jennings, Mrs. Catherine DeBourgh and what seems to be Frederick Wentworth’s dad all related in Pride & Planetoids? Blame a certain lady who played Sophie Wentworth Croft in the 1995 Persuasion, the title character’s foster mother in Andor, Lady Catherine in Netflix P&P, and Mrs. Jennings in S&S2026. Why is Mr. Bennet some kind of relative of Walter Elliot in my novel, and why does he make snarky remarks about a hypothetical “General Pride”? Blame the Scarlet Pimpernel, for taking roles in Rise of SkywalkerPersuasion 2022, and The Other Bennet Sister. Why is Mr. Collins mixed up in a digital impersonation plot, and somehow related to the Knightley family? And so on. If you know your Austen adaptations, and you know your Star Wars, you’ll probably spot the lawyer-friendly in-jokes. Check out Pride & Planetoids at Amazon today! 

Where Did That Come From? The Rest of the Cast from Pride & Planetoids 

For plot-related reasons, I needed Wickham to be more competent than the short-sighted grifter who wreaked so much havoc in the original novel. Even so, he ends up working too many angles at once and having things blow up in his face. I can’t tell you more than that without spoilers.

Continue reading “Where Did That Come From? The Rest of the Cast from Pride & Planetoids “

Where Did That Come From? The Space Bennets 

When I first came up with the idea for Pride & Planetoids, I decided that Elizabeth Bennet needed to be some kind of Parliamentary backbencher. Spending time in the remote work/zoom conference culture of the early 2020s made it more believable to me that she could live at Longbourn and still participate in the Parliament of Albion the Commonwealth, without having to travel to Albion, the asteroid which gave its name to the Commonwealth. There were a whole horde of supporting characters who were also believable as minor politicians in a large Parliament, which meant that Mr. Collins, Mr. Hurst, etc were all accounted for. I still had to figure out where the Bennet family sat in this society, and that meant figuring out the society itself. 

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Video Thursday: All The Notebooks Edition

A tour of the notebooks I used while writing Pride & Planetoids, the first book in my Jane Austen space opera trilogy, The Stars By Degrees. Some were storebought. Many were handmade or hand-cased. All of them contain the slightly chaotic evidence of a novel being figured out one page at a time.https://youtube.com/shorts/FNEsweKdckQ?feature=share
Music composed with Suno.
Pride & Planetoids is available for preorder here:
Learn more about the world of The Stars By Degrees

Where Did That Come From? Mr. Darcy, Destroyer of Worlds

(Thank you, unknown internet person, for creating this meme. It makes the job of explaining the origins of my latest novel so much easier.)

Well, let’s start with the fact that I am a GenXer, who grew up with a limited selection of movies available to me, and more often than not the only thing my siblings and I all felt like watching was the 1977 Star Wars. For some reason, I was very amused to discover that Grand Moff Tarkin had once been an energetic middle-aged man who killed the Hound of the Baskervilles twice and Count Dracula over and over again. It tickled me even more to discover that he had once played Mr. Darcy in a now-lost BBC adaptation of Pride and Prejudice, roughly a quarter of a century before Star Wars. I asked myself: “What if Darcy went around destroying planets?” And a surprising amount of Pride & Planetoids grew out of that single question. 

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State of the Author, Spring 2026 Edition

The State of the Author is…complicated. On April 9, 2026, I finished the first draft of a murder mystery, ran my DevEditor automation on it, and discovered that it really needed more physical evidence pointing towards the murderer, and more clues in general. The early chapters mostly just needed fairly modest rewrites for tone and emotional content, so I got to work on those right away, figuring that the subconscious would work on the complicated stuff next time I pivoted to one of the WIPs, either Space & Sensibility or HHK0.

Continue reading “State of the Author, Spring 2026 Edition”