Review: Emma 2009

So, I just watched the 2009 miniseries adaptation of Emma, starring Romola Garai and Johnny Lee Miller. In terms of overall execution, this is probably the best Jane Austen adaptation to come out of the 00s. The script is well-structured, and plays up the Miss Marple factor: the idea of a small, gossipy town with secrets going on beneath the surface. People are guessing incorrectly about who loves whom; people are meddling in each other’s affairs to disastrous effect. If there’s a failure on the writing side, it’s a tendency to paraphrase Jane Austen without improving on her. The pacing is good, and the visuals are generally strong. The supporting cast is mostly pretty solid.

However, the two lead performances range from mediocre to bad at any given moment.

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Fanficcing with Claude: The Rector’s Other Business, Chapter 8

The journey from Hertfordshire to Kent takes the better part of a day by carriage, depending on the roads and the weather and the disposition of the horses. The roads were adequate, the weather was dry, and the various changes of horses were Lady Catherine’s, which meant they were better than adequate. We made good time.

Charlotte sat across from me for the first hour with the composed expression she had brought to everything since the garden, the expression of a woman who has made a decision and is not in the habit of reconsidering decisions once made. I sat across from her and thought about the letter I had sent from Hunsford, which she had received and read and had not mentioned in the days before the wedding.

“The letter,” she said, at some point past Sevenoaks.

“Yes,” I said.

“The part about the Gofton children,” she said. “You wrote it more than once.”

I looked at her. “Was it so obvious?”

“It was a guess,” she said. “Apparently a correct one.” She looked out the window for a moment. The hedgerows had grown thinner as we traveled, the land opening toward the coast. The quality of light had changed to that brightness that comes off water even when the sea itself is not yet visible. “It was the right thing to put in.”

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Fanficcing with Claude: The Rector’s Other Business, Chapter 7

The Gofton children were called Thomas, Anne, William, and the baby, whose name was Margaret but who had not yet fully grown into it and was referred to by everyone in the household, including her mother, as Meg. Thomas was seven. Anne was five. William was three and regarded strangers with a suspicion I found professionally admirable. Meg was not yet two and was currently engaged in a determined effort to eat a piece of straw.

Mary Gofton took the straw away with the automatic efficiency of a woman who has been removing inedible objects from the mouths of small persons at intervals for more than six years. She offered me tea.

The Gofton cottage was a single large room with a sleeping loft above, the kind of dwelling that housed perhaps half the families in the parish. The floor was beaten earth, clean-swept. The furnishings were sparse but adequate: a table, benches, the chair I occupied near the fire, a cradle in the corner that Meg had outgrown but which had not yet been passed along to anyone who needed it. The thatch had been repaired since my last visit, I noted. Good work, tight and even, the kind that would see them through several winters. The fire burned steadily in a hearth that showed signs of careful maintenance. There was food on the shelf, not abundant but present. The room had the quality of a household managing, not comfortably, but well enough, and doing so with a competence that suggested they had not always managed this well.

Two years ago, when I had first called at this cottage, the roof had leaked, the children had been thin, and Will Gofton had been making the kinds of calculations a man makes when he is deciding whether to turn thief or watch his family starve. The network had given him a third option, one that paid better than theft and carried less risk of the gallows.

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Dad Asks: Why Don’t They Just…? (Spoiler Alert)

Now, when I finished writing Pride & Planetoids and was running it through automations and all that jazz, my parents were in the process of moving. They didn’t end up beta reading it the way they do most of my books. When they did read it after it released, Dad asked me: “Why would Terra be willing to let Albion pack up a fleet of resource-rich asteroids and fly them off to the Copernicus system? These rocks sit in a region of space that Terra claims sovereignty over and merely leases to Albion. What’s in it for Terra to allow the exodus at all?”

To answer that, I have to unpack some ideas that are deep in the background of the setting, and not really explained by the characters in the book. Elizabeth Bennet, William Darcy, and Effie Price don’t pay attention to these ideas for the same reason that fish don’t pay attention to water.

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Video Thursday: An Unlikely Rescue

https://youtube.com/shorts/BFGlzsB_PTE

Elizabeth Bennet claims a dance with William Darcy…not because she wants one, but because she can see exactly what Miss Bingley is about to do, and someone has to stop it. He calls it a rescue. She calls it damage control. They’re both right. From Pride & Planetoids, a sci-fi retelling of Pride and Prejudice set in the Kuiper Belt.

📚 READ PRIDE & PLANETOIDS NOW

#PrideAndPlanetoids #SciFiRomance #SpaceOpera #PrideAndPrejudiceInSpace #JaneAustenRetelling #slowburn #enemies2lovers #ballscene #dancescene #wittyheroine

🎬 ABOUT THESE VIDEOS: These videos feature AI-generated visuals (Midjourney) and music (Suno). The stories themselves are 100% human-written.

May 28, 1971: The Day The Warrior Died

On this day, 55 years ago, an Aero Commander 680 Super flying from Atlanta, Georgia to Martinsville, Virginia collided with the top of Brush Mountain (near Roanoke, Virginia) due to poor visibility. The pilot and five passengers were killed. One of them was Audie Murphy, war hero and former movie star.

I feel like Sabaton’s song about Audie is not their strongest work, but there’s a shortage of good clips of him on YouTube, so we’ll go with Sabaton: https://www.youtube.com/watch?v=FBz7MX2bLcM

The Marcher-Ships: Guardians of Albion Space 

From the Parliamentary Record of Albion Space, Educational Broadcast, House of Resources 

[The following is an excerpt from the public educational archives maintained by the House of Resources, originally recorded for Terra-side distribution. Transcript lightly edited for readability.] 

There is a particular kind of ship that defines life in Albion Space. Vast, irregular, scarred by decades of active service, the marcher-ships are easy to take for granted. They have always been there. It is worth remembering that they were not always meant to be. 

Ships Without A Destination 

The marcher-ships were not designed for the asteroid belt. They were designed to leave it. 

When the original planners of the Hector-Sabrina settlements looked outward toward the Copernicus system, they understood that the journey would require something more than a transport vessel. Crossing interstellar distance demands a ship capable of sustaining life across generations, carrying not just people but the biological heritage of Terra: its plants, its animals, its ecosystems. The greenspaces at the heart of every marcher-ship were not an amenity added for crew comfort. They were the point. A living seed bank, a portable fragment of Earth’s biosphere, intended to take root in a new star system. 

The asteroid-breaking weaponry came from the same logic. Any vessel pushing through the outer solar system and beyond would encounter debris, ice, and worse. The same ordnance that can destroy a wayward rock in Hector-Sabrina can clear a path through an unknown system’s hazards. Defense and exploration, in a marcher-ship, were always the same capability. 

And the teleportation drives, capable of jumping up to 7.7 light-seconds in half a second of subjective time, were the mechanism by which the journey would actually be made: not a slow drift across the void, but a series of precise, rapid steps, each one carrying the fleet a little further from home. 

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Book Quote Tuesday: Pride & Planetoids

Happy Birthday to John Wayne and Peter Cushing

Since we’re coming up on the 250th anniversary of the founding of the USA, I feel obliged to feature this old standard, “America: Why I Love Her” from John Wayne.

For Peter Cushing, I actually have more ‘Merica friendly options than you would think likely from possibly the most English actor ever, including his cameo as the Captain of the Serapis in John Paul Jones, and his government-defying smuggler chief in Night Creatures. But given the origins of my recent released novel, Pride & Planetoids, I also feel obliged to bring you an old standard, namely the Destruction of Alderaan.