Midjourney Monday: The Longbourn Ballroom

Longbourn’s ballroom was the site of most of the asteroid’s streaming videos, and Mrs. Bennet had insisted on giving it a more regular shape than most of Longbourne’s interior spaces. The space was an immense rectangle with gleaming white marble floors and columns that reflected the purple and gold lights. The far wall was decorated with a pattern of hexagonal screens set in gold frames, which continued across the ceiling. The main video feeds played out on the screens on the far wall, the more minor ones being relegated to a merely decorative role on the ceiling.

Hunter Healer King 3 is Finished

67000 words, so a bit longer than my usual. Usually, I’m pretty happy to wrap things up with whatever set of characters I’m working with, but for some reason, I feel like I’m going to miss Chloe and Maxim. Maybe it’s just because the dual first person POV put me in their heads in a more intense way than any of my other characters. The fact that I managed about 20000 words on other writing projects in the eleven months or so it took me to write this one can probably be attributed to the new workflow. Current publication target is “before the end of the year,” but I have relatives who are gearing up to move and who may need my help, so publication is kind of a moving target. I’ll keep you all posted. In the meantime, not one but two triumphalistic Bollywood songs are in order:

Friday Fragments

I just finished reworking a core setpiece late in Hunter Healer King 3 and am now writing the bridge from that into another pre-written scene. This part below (slightly censored for spoilers) was part of the prewritten scene, but no longer fit in for continuity reasons.

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The Golden Age of Adaptations

(Note: This is adapted from a comment I made elsewhere.)

A good adaptation from book to movie or tv, honors what is worthwhile about the source material, and changes the things that need to be changed for coherence in the new medium or for the audience’s comprehension. It follows therefore that you can’t make a good adaptation of a work that you believe has no merit. For instance, I would be the wrong person to adapt Frankenstein by Mary Shelley,

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Andrew Davies Strikes Back (Maybe)

I wrote 3500 words on Hunter Healer King 3 last week along with 500 words on the space regency. Yesterday and today I wrote the opening chapter (~2500 words) of a mystery that’s been in the planning stages for several years. Where was I going to find the mental energy to do a bit of Austen blogging for Wednesday? And there goes Andrew Davies shooting his mouth off in the presence of people with microphones, aaaaand we’re off to the races.

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Old School Mysteries: Gwen Bristow and Bruce Manning

This husband-wife team were reporters in New Orleans, Louisiana until they wrote The Invisible Host, about a mysterious person who summons eight people to an Art Deco penthouse apartment, prevents them from leaving and tells them via radio message that they will be killed off one by one. This was published in 1930, nine years before Agatha Christie’s And Then There Were None, and although it’s not a perfect match by any means, there’s enough plot elements in common to make people wonder if Christie could have known about it. The Invisible Host did not get published in England at the time, and there’s no evidence for Christie seeing either the play version or the 1934 movie adaptation (entitled The Ninth Guest). That being said, I think people underestimate how much an author can pick up by osmosis, especially if they have friends who write or review in the same genre. Perhaps some more cinema-inclined member of the Detection Club had seen Ninth Guest, and made snarky comments about it, and Christie had thought, like any hardcore Star Wars fan sitting down to Episodes I, II, III, VII, VIII, or IX: “That’s an interesting notion but not what I would have done with it!”

The Invisible Host is not a masterpiece of suspense and psychology, like And Then There Were None, but in some ways it’s a more likable book: pretty good fun in its pulpy way,

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PSA to Sherlockians

Ladies and Gentlemen, going forward in my travels on the internet, I am going to take any complaint that Peter Cushing was “too slight” or “too fragile” “or “weedy-looking” or otherwise some version of “too thin” to play Sherlock friggin’ cocaine addict Holmes, as a concession that he absolutely crushes your preferred interpreter of Sherlock Holmes in every other way. Thank you for your attention to this matter.

The Mysteries of Msgr. Knox

Knox came from a prominent line of Anglican clergy, and would probably have risen all the way to bishop or archbishop in that religion if he hadn’t converted to Catholicism, but he was named protonotary apostolic by Pope Pius XII, an honorary rank which allowed Knox to use the title “Monsignor/Msgr.” Knox was a biblical and classical scholar, a friend of G. K. Chesterton’s, and a member of the Detection Club alongside Dorothy Sayers, Agatha Christie, John Dickson Carr, Baroness Orczy, et al. He presented “Broadcast at the Barricades,” a satire from BBC Radio depicting a Bolshevik revolution in London, which caused widespread panic when people mistook it for the real thing, and inspired Orson Welles’s famous “War of the Worlds” broadcast. Knox also originated the “Sherlockian game” of writing mock-erudite essays that treat Holmes, Watson, etc as historical rather than fictional figures.

His “Ten Commandments of Crime,” which laid out the rules of Golden Age “fair play” mysteries, are widely quoted. In the days before ebooks, I found it impossible to find any fiction he’d written by himself, as opposed to The Floating Admiral and the other tedious “chain-written” collaborations that the Detection Club put out in its heyday. Recently, I had the chance to snag his entire Miles Bredon series as a $0.99 ebook, and the standalone mystery the Viaduct Murder for I think the same amount.

The short verdict is that as a mystery writer, Knox was strictly a “puzzle” man.

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