Angry All Over Again

I just realized that the morons who claim Mr. Price (the heroine’s biological father in Mansfield Park(1)) is some kind of daughter molesting pervert got the idea from the 1999 film, and now I’m angry at that bleep of a filmmaker all over again.

Just remember people, if you go around claiming Price is an incestuous pervert, and Sir Thomas is indisputably a large-scale, highly sadistic slaveholder(2) you are doing the same thing as the people who think Darcy’s uncle is the Earl of Matlock and Lizzy’s mother is named Fanny, and those blankity-blanks who think that Elrond is a bitter, bullying hater of mortals and Saruman is Extra Strength Dracula and Gandalf is Dumbledore and Denethor is a gluttonous slob. You are confusing the adaptations, however good or interesting they are, with the source material.

(1)In the book, Price is a drunken, lazy and uncouth man who makes occasional “coarse” (according to raised-by-posh-wolves Fanny) remarks about Fanny’s looks and potential boyfriends, of which the only comment actually quoted to the reader sounds like something Mrs. Jennings from Sense and Sensibility would say. Not a good guy but pretty inoffensive compared to the likes of General Tilney from Northanger Abbey.

(2)Sir Thomas’ Antigua holdings mean that he’s implicated in a slave-based economy to at least some extent, but there were in fact properties in that part of the world – lumber plantations for instance – which used paid freemen for labor rather than slaves. There’s absolutely nothing in the book to indicate which kind of labor his Antigua property runs on, and some indications – abolitionist-reading Edmund’s framing of the offscene conversation between abolitionist-reading Fanny and Sir Thomas about the slave trade – which make it seem like Sir Thomas is not necessarily all that comfortable with slavery. It’s not objectively wrong to make Sir Thomas an evil slave-torturing so-and-so in adaptation. But nothing makes it an inherently superior interpretation of the book, or even an interpretation of the book more soothing to modern consciences, than the alternatives. The book says so little about his activities in Antibes that you could just as easily imagine him as being repelled by the horrors of slavery when he sees them up close, and then spending all that time in Antibes trying to manumit slaves from his hypothetical sugar plantation or trying to divest himself of his hypothetical lumber plantation because even though he’s not using slaves himself, he can’t bear to do business with the slave-owners.

Midjourney Monday: Reception Area aboard The Last Repose

From the space regency, a brief bit of scene setting and the image which helped me visualize it, although you can also see where I chose to ignore it:

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Adapting Jane Austen: Sense and Sensibility, the Story in London

It’s been a few months since I’ve done one of these, so here’s the previous posts as a refresher course. New thoughts below the cut.

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The Novels of Marie Belloc Lowndes: The Jane Austen Fanfics

(Note: As previously indicated, the Lowndes books I have read are mostly available on Gutenberg and/or Amazon. In past reviews of early 20th century books, I have not made any effort to offer content warnings, on the assumption that anybody reading these reviews knows better than to expect present-day attitudes on certain topics from books of this timeframe. I am continuing with that assumption here.)

“Fanfics” is maybe a strong word for it; “remixes” or “riffs” might be better. But there are definitely places where you can see kind of a Jane Austen strain in the Lowndes novels, both in their interest in the social order and their microscopically close study of the characters’ emotions, even though Lowndes is not remotely in Austen’s league as a writer. The title character in Heart of Penelope has something of an Elizabeth Bennet vibe – plus nicer parents and more money and a hundred years of progress in the status of women, but minus Mr. Darcy. The title character in Jane Oglander is a bit like the “people-pleaser” interpretations of Jane Bennet, although the situation she’s in during the later stages of the novel would look more familiar to Elinor Dashwood or Fanny Price.

The novels I discuss below have a stronger Jane Austen angle than usual; two of them namecheck Austen characters and one recognizably reworks the Henry Crawford subplot from Mansfield Park.

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State of the Author, Start of 2025

My plans for the New Year are always kind of vague, because “Mann tracht un Gott lacht” (Man plans, and God laughs).

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State of the Author, 4Q2024

-First off, I think my books are all in Kindle Unlimited now, free to anyone with a subscription to KU. If you see any sign that they are not in KU, please let me know in the comments.

Undead Flight (Hunter Healer King Book 2) is now in the hands of my proofreaders. Barring complications, should be ready to publish by Christmas time. Ebook cover is done; blurb is done with AI help (stay tuned, my post on the blurbing process will be out tomorrow. Print cover is dependent on my final cleanup of the manuscript to determine page length.

-Also started Hunter Healer King Book 3 by writing a fairly dark and distressing scene from the last third of the book. This is kind of suboptimal, because stitching together scenes written out of order tends to add (wo)manhours to the first draft process, but I hadn’t figured out the opening scene at that point. I don’t know when it will be released but I know that I am aiming for Christmas of 2025.

-I have had a sci-fi Pride and Prejudice retelling in development for a long time; finally got the first scene down. No projected completion date at this time. My main inspiration for this concept was, weirdly enough, Star Wars: A New Hope. If you dig deep enough into the filmographies of the supporting cast, you will find one with a Pride and Prejudice connection in his earlier career. Regrettably, the catchy working title explicitly references Star Wars, so the official title will probably be something rather sedate of the “Pride and…” format.

-New ebook covers using AI art for Shadow Captain and Spider Star are done; still need to do new paperback covers for them, and ebook/hardcover for the 2 in 1 volume for the duology. Projected release date for the 2 in 1 is first/second quarter of 2025.

-Early stages of AI art covers for the Jaiya Series and Ancestors of Jaiya series. No text layout yet. A four in one of Ancestors might come out in third quarter of 2025; a seven in one of the full metaseries might be sometime in 2026 but a lot could go sideways between now and then.

Sign of the Times, Austen Edition…

(Disclaimer: I do have a Mr. Collins plot bunny I might write sometime, in which he commits Obfuscating Stupidity and is actually a pretty smart guy underneath, but I don’t intend to invalidate the Bennets’ experiences of him, or demonize Charlotte in the process.)

Rather than give us what would be the first traditional P&P adaptation in 20 years, and the first BBC adaptation in 30 years, the Beeb opts to adapt some fan novel that tries to nice-ify the self-centered hipster known as Mary Bennet, and the clueless buffoon known as Mr. Collins, at the expense of more interesting characters like Charlotte Lucas. And of course, flawed but self-aware Mr. Bennet has horns and a tail. (Although in fairness, it sounds like the author is an equal opportunity hater when it comes to the Bennet parents, which is a reasonable take). And somehow this deserves to be ten episodes(1) long, nearly twice as long as any actual P&P miniseries ever made? And it’s from the modern Dr. Who(2) people?

No, thank you.

(1) of an unspecified length, but it seems like the BBC’s norm in recent years has been for episodes to run about an hour.

(2) Disclaimer: am not a Doctor Who fan in general, so I generally don’t see the involvement of behind-the-scenes people from that franchise in other stuff as being a good thing.