Edgeworth was a popular “lady novelist” of Jane Austen’s time, perhaps best-known today for her novels (Castle Rackrent, etc) critiquing the Anglo-Irish gentry and their mistreatment of their Irish Catholic tenants. Austen admired her enough to namecheck Belinda in a positive way in Northanger Abbey, and sent her a copy of Emma upon publication. Edgeworth took a while to warm up to Emma and disliked Northanger Abbey even more heartily than I do, but thought moderately well of Mansfield Park, and when I read Belinda for myself, I saw a certain resemblance to Mansfield Park: the thousand foot view of the plot, the messy characters. The setting, the character types and the plot are very different though, and the craftmanship not in Jane Austen’s league. That’s the short version; if you want more details, along with spoilers for most major plot twists, plus me pontificating about adaptation possibilities, read on….
Continue reading “Belinda, By Maria Edgeworth”Tag: Books
More News on Netflix P&P
So, a picture of the Bennet women from this adaptation dropped, along with a more complete cast list (not always with character names attached).
Continue reading “More News on Netflix P&P”Sense and Sensibility 2026? Wut?
(Note: a previous version of this post assumed screenwriter Diana Reid was the TV director from Handmaid’s Tale. It appears screenwriter Diana Reid is instead the novelist of that name. This post has been revised accordingly.)
Daisy Edgar-Jones, whom some people were hyping as a potential Lizzie Bennet in the Netflix Pride and Prejudice before Emma Corrin got the role, has been cast as Elinor in a new S&S adaptation.
Continue reading “Sense and Sensibility 2026? Wut?”Summer Book Sale Is Here!
Hans G. Schantz has put together one of his massive book sales, and has graciously agreed to include my novel Wolf’s Trail in the sale. Hans’s book sales always cover a wide range of genres and possibilities, so take a look! Happy Summer Reading!
Blurbing With Claude AI: Slaying a Tyrant
(Disclaimer: some of my past “blurbing with LLMs” posts have been very TL;DR because I included a lot of unnecessary fluff that the LLMs churned up and that I didn’t use. This prompt below helps cut down on the fat, so, although this is several paragraphs long, it is much shorter than those previous posts.)
First off, I prompted Claude in this manner: You are a book marketing expert trying to help a fantasy writer. Please help her improve her blurbs. The first novel in her fantasy series is Slaying a Tyrant by Mel Dunay, which may be part of your training data, if so, please feel free to refer to your training data. The problem is that the Empire mentioned in the blurb is mostly a background issue throughout the series [then I spelled out what role the Empire plays throughout the series, and fed Claude the existing blurb for Slaying a Tyrant].
Continue reading “Blurbing With Claude AI: Slaying a Tyrant”Angry All Over Again
I just realized that the morons who claim Mr. Price (the heroine’s biological father in Mansfield Park(1)) is some kind of daughter molesting pervert got the idea from the 1999 film, and now I’m angry at that bleep of a filmmaker all over again.
Just remember people, if you go around claiming Price is an incestuous pervert, and Sir Thomas is indisputably a large-scale, highly sadistic slaveholder(2) you are doing the same thing as the people who think Darcy’s uncle is the Earl of Matlock and Lizzy’s mother is named Fanny, and those blankity-blanks who think that Elrond is a bitter, bullying hater of mortals and Saruman is Extra Strength Dracula and Gandalf is Dumbledore and Denethor is a gluttonous slob. You are confusing the adaptations, however good or interesting they are, with the source material.
(1)In the book, Price is a drunken, lazy and uncouth man who makes occasional “coarse” (according to raised-by-posh-wolves Fanny) remarks about Fanny’s looks and potential boyfriends, of which the only comment actually quoted to the reader sounds like something Mrs. Jennings from Sense and Sensibility would say. Not a good guy but pretty inoffensive compared to the likes of General Tilney from Northanger Abbey.
(2)Sir Thomas’ Antigua holdings mean that he’s implicated in a slave-based economy to at least some extent, but there were in fact properties in that part of the world – lumber plantations for instance – which used paid freemen for labor rather than slaves. There’s absolutely nothing in the book to indicate which kind of labor his Antigua property runs on, and some indications – abolitionist-reading Edmund’s framing of the offscene conversation between abolitionist-reading Fanny and Sir Thomas about the slave trade – which make it seem like Sir Thomas is not necessarily all that comfortable with slavery. It’s not objectively wrong to make Sir Thomas an evil slave-torturing so-and-so in adaptation. But nothing makes it an inherently superior interpretation of the book, or even an interpretation of the book more soothing to modern consciences, than the alternatives. The book says so little about his activities in Antibes that you could just as easily imagine him as being repelled by the horrors of slavery when he sees them up close, and then spending all that time in Antibes trying to manumit slaves from his hypothetical sugar plantation or trying to divest himself of his hypothetical lumber plantation because even though he’s not using slaves himself, he can’t bear to do business with the slave-owners.
Weird Wednesday: Red Right Hand by Joel Townsley Owens
This was originally published as a novella in a pulp magazine in 1945 before being expanded into a full-length novel and re-published in that form, and it feels somewhat padded in the middle. It’s a weird, rambly first person sort of thing that sounds like the author managed to get Raymond Chandler and Edgar Allen Poe stuck in his head simultaneously. Usually hyped as a mystery story with extra atmosphere, I would say rather that it’s a psychological horror story which uses mystery tropes to help ground itself. Above the cut, I will only say that Red Right Hand spends about a quarter of its length hinting in one particular direction, and the middle two quarters basically saying that possible solution out loud while simultaneously laying down markers for the actual resolution in the final quarter. More interesting than good, and not helped by the fact that the only truly sympathetic characters – the policemen and the damsel in distress – are pretty peripheral. But it’s very much its own thing, and if that counts for anything with you, it might be worth a try. Just remember, if you find yourself thinking that “obvious solution is obvious,” stick around to the end.
More detailed, spoilery thoughts below the cut. Leave now or be spoiled.
Continue reading “Weird Wednesday: Red Right Hand by Joel Townsley Owens”Frequently Seen Questions About Writing
Occasionally, I offer moral support and solutions that worked for me in the comments section of other writing blogs, but I don’t do a lot of it here. What works for me might not work for you, and vice versa. That being said, I’m seeing certain things come up over and over again in certain places on the web, and I feel like I have to put my oar in. Since nobody asked me, I can’t call them “Frequently Asked Questions,” but I feel comfortable calling this “Frequently Seen Questions…”
Continue reading “Frequently Seen Questions About Writing”Adapting Jane Austen: Sense and Sensibility, the Rest of the Story
And now we enter the final stretch of this story: Marianne’s illness, Willoughby’s attempt to justify himself, the final shocking swerve in the saga of Lucy Steele.
Continue reading “Adapting Jane Austen: Sense and Sensibility, the Rest of the Story”Adapting Jane Austen: Sense and Sensibility, the Story in London
It’s been a few months since I’ve done one of these, so here’s the previous posts as a refresher course. New thoughts below the cut.
