Angry All Over Again

I just realized that the morons who claim Mr. Price (the heroine’s biological father in Mansfield Park(1)) is some kind of daughter molesting pervert got the idea from the 1999 film, and now I’m angry at that bleep of a filmmaker all over again.

Just remember people, if you go around claiming Price is an incestuous pervert, and Sir Thomas is indisputably a large-scale, highly sadistic slaveholder(2) you are doing the same thing as the people who think Darcy’s uncle is the Earl of Matlock and Lizzy’s mother is named Fanny, and those blankity-blanks who think that Elrond is a bitter, bullying hater of mortals and Saruman is Extra Strength Dracula and Gandalf is Dumbledore and Denethor is a gluttonous slob. You are confusing the adaptations, however good or interesting they are, with the source material.

(1)In the book, Price is a drunken, lazy and uncouth man who makes occasional “coarse” (according to raised-by-posh-wolves Fanny) remarks about Fanny’s looks and potential boyfriends, of which the only comment actually quoted to the reader sounds like something Mrs. Jennings from Sense and Sensibility would say. Not a good guy but pretty inoffensive compared to the likes of General Tilney from Northanger Abbey.

(2)Sir Thomas’ Antigua holdings mean that he’s implicated in a slave-based economy to at least some extent, but there were in fact properties in that part of the world – lumber plantations for instance – which used paid freemen for labor rather than slaves. There’s absolutely nothing in the book to indicate which kind of labor his Antigua property runs on, and some indications – abolitionist-reading Edmund’s framing of the offscene conversation between abolitionist-reading Fanny and Sir Thomas about the slave trade – which make it seem like Sir Thomas is not necessarily all that comfortable with slavery. It’s not objectively wrong to make Sir Thomas an evil slave-torturing so-and-so in adaptation. But nothing makes it an inherently superior interpretation of the book, or even an interpretation of the book more soothing to modern consciences, than the alternatives. The book says so little about his activities in Antibes that you could just as easily imagine him as being repelled by the horrors of slavery when he sees them up close, and then spending all that time in Antibes trying to manumit slaves from his hypothetical sugar plantation or trying to divest himself of his hypothetical lumber plantation because even though he’s not using slaves himself, he can’t bear to do business with the slave-owners.

The Novels of Marie Belloc Lowndes: The Jane Austen Fanfics

(Note: As previously indicated, the Lowndes books I have read are mostly available on Gutenberg and/or Amazon. In past reviews of early 20th century books, I have not made any effort to offer content warnings, on the assumption that anybody reading these reviews knows better than to expect present-day attitudes on certain topics from books of this timeframe. I am continuing with that assumption here.)

“Fanfics” is maybe a strong word for it; “remixes” or “riffs” might be better. But there are definitely places where you can see kind of a Jane Austen strain in the Lowndes novels, both in their interest in the social order and their microscopically close study of the characters’ emotions, even though Lowndes is not remotely in Austen’s league as a writer. The title character in Heart of Penelope has something of an Elizabeth Bennet vibe – plus nicer parents and more money and a hundred years of progress in the status of women, but minus Mr. Darcy. The title character in Jane Oglander is a bit like the “people-pleaser” interpretations of Jane Bennet, although the situation she’s in during the later stages of the novel would look more familiar to Elinor Dashwood or Fanny Price.

The novels I discuss below have a stronger Jane Austen angle than usual; two of them namecheck Austen characters and one recognizably reworks the Henry Crawford subplot from Mansfield Park.

Continue reading “The Novels of Marie Belloc Lowndes: The Jane Austen Fanfics”

The Novels of Marie Belloc Lowndes: The Ones That End Where Agatha Christie Begins

(Note: As previously indicated, the Lowndes books I have read are mostly available on Gutenberg and/or Amazon. In past reviews of early 20th century books, I have not made any effort to offer content warnings, on the assumption that anybody reading these reviews knows better than to expect present-day attitudes on certain topics from books of this timeframe. I am continuing with that assumption here.)

Alot of Agatha Christie’s novels feel like we’re on the outside of some messy domestic situation, looking in at the situation shortly before and after it turns violent. If you ever wondered what seeing the inside of those situations would be like, you’re in luck! Marie Belloc Lowndes wrote lots of those. The characterization is a mile wide and an inch deep, and the situations tend to repeat themselves, but to me, there’s something insistent and weirdly compelling about the way Lowndes shows the reader every component in these emotional powder kegs. As a bonus, you get a good look at the kind of expectations authors like Agatha Christie set out to subvert, because the whodunnit components of these mysteries tend to be pretty banal.

Continue reading “The Novels of Marie Belloc Lowndes: The Ones That End Where Agatha Christie Begins”

Weird Wednesday: Reviews of Old Mysteries

Golden Age Mysteries are one of my default things to read when I don’t know what I want to read. I thought I’d share thoughts on a few of the less famous mystery writers to cross my radar:

-Victor Luhrs: responsible for The Longbow Murders, a fairly bonkers historical mystery where ruthless, brawling warrior-king Richard the Lion-Hearted solves a series of murders with the help of a twerpy scribe/narrator/Watson wannabe and some brief forensic work on ballistics from Robin of Locksley (yes that Robin of Locksley, and no he’s not in this very much). I enjoyed this old-school take on Richard I, portrayed here as a brash and hot-tempered man, but not a stupid one. The narrator, who’s kind of useless and spends a lot of time thinking patronizing thoughts about his “poor, fat” wife, is a less appealing character. The book does sell that combination of deep-seated respect for religious subjects, with a comparatively casual attitude towards the clergy, that you see in actual medieval works.

Mystery parts are kind of shaky; the author tries to pull off a “least likely person” twist but hasn’t developed the character well enough to sell the twist. Heck, the author doesn’t even seem to realize that some of the goofier aspects of the mystery (murderer using a long bow at close range and leaving taunting notes around) could be an attempt by the murderer to build up an image of themselves very different from the actuality, to deceive the investigators. Still, I found it more entertaining than alot of works by more respected mystery writers. If you like Randall Garrett’s Lord Darcy stories, this has a fair amount of Garrett-style flippancy, and feels a bit like a Lord Darcy prequel set in Richard’s time (when they haven’t discovered the magic/psionic stuff yet). If you get your ideas about the Plantagenets from Becket, Lion in Winter, or Robin and Marian, stay away – this book will annoy you because it’s operating from a completely different set of preconceptions about what the Plantagenets were and what historical fiction should be.

Continue reading “Weird Wednesday: Reviews of Old Mysteries”

State of the Author, 4Q2024

-First off, I think my books are all in Kindle Unlimited now, free to anyone with a subscription to KU. If you see any sign that they are not in KU, please let me know in the comments.

Undead Flight (Hunter Healer King Book 2) is now in the hands of my proofreaders. Barring complications, should be ready to publish by Christmas time. Ebook cover is done; blurb is done with AI help (stay tuned, my post on the blurbing process will be out tomorrow. Print cover is dependent on my final cleanup of the manuscript to determine page length.

-Also started Hunter Healer King Book 3 by writing a fairly dark and distressing scene from the last third of the book. This is kind of suboptimal, because stitching together scenes written out of order tends to add (wo)manhours to the first draft process, but I hadn’t figured out the opening scene at that point. I don’t know when it will be released but I know that I am aiming for Christmas of 2025.

-I have had a sci-fi Pride and Prejudice retelling in development for a long time; finally got the first scene down. No projected completion date at this time. My main inspiration for this concept was, weirdly enough, Star Wars: A New Hope. If you dig deep enough into the filmographies of the supporting cast, you will find one with a Pride and Prejudice connection in his earlier career. Regrettably, the catchy working title explicitly references Star Wars, so the official title will probably be something rather sedate of the “Pride and…” format.

-New ebook covers using AI art for Shadow Captain and Spider Star are done; still need to do new paperback covers for them, and ebook/hardcover for the 2 in 1 volume for the duology. Projected release date for the 2 in 1 is first/second quarter of 2025.

-Early stages of AI art covers for the Jaiya Series and Ancestors of Jaiya series. No text layout yet. A four in one of Ancestors might come out in third quarter of 2025; a seven in one of the full metaseries might be sometime in 2026 but a lot could go sideways between now and then.

Thoughts on Adapting Jane Austen: Mansfield Park, the Princess Bride version

Mansfield Park does suffer from very “period” attitudes, although not as much as its detractors claim. You will see moments below where I have softened the characters’ behaviors somewhat to plug plot holes or smooth over stuff that tends to rub modern readers the wrong way. I personally feel like the novel suffers more from not enough forward momentum and too much thousand-foot-view of what’s going on; we’re often told what’s happening in general terms without citing specific incidents. Mansfield Park also has a highly intrusive, somewhat fourth-wall-breaking narrator who delights in telling the reader about hypothetical alternative outcomes.

In a word, the best solution to filming Mansfield Park is to go full Princess Bride…

Continue reading “Thoughts on Adapting Jane Austen: Mansfield Park, the Princess Bride version”

Thoughts on Adapting Jane Austen: The Characters of Mansfield Park

I’m starting with my take on the characters, as for P&P. All the characters of Mansfield Park itself should be able to swing between a somewhat more stylized, off-kilter performance for reasons that will become obvious in the next post, and a more naturalistic performance for the actual events of the story.

Continue reading “Thoughts on Adapting Jane Austen: The Characters of Mansfield Park”

Thoughts on Adapting Jane Austen: Introduction

This is one of those topics that a lot of people have opinions about, and I am one of them. I intend to dump some thoughts about that on this blog, specifically what I would do if some insane person put me in charge of new adaptations of the novels I find most interesting. This initial post is about the ground rules I’m working from:

Continue reading “Thoughts on Adapting Jane Austen: Introduction”

Thoughts on Mansfield Park

I recently listened to Karen Savage’s excellent reading of this book on Librivox, and it reminded me that I have opinions about this flawed, messy novel by Jane Austen.

-The absolute most important thing to understand is that Austen thinks Fanny and Edmund are a couple of intelligent, well-meaning introverts with an adorkable lack of self-knowledge and social “polish.” Take Mia Goth’s Harriet Smith from the 2020 Emma, make her more intelligent but still humble, earnest and insecure, still someone who makes you chuckle indulgently at her awkward moments. Take one of the more dignified and less half-witted versions of Charles Bingley (the 1980 guy is good, for instance) and make him more introverted and religious, but still faintly absurd and still oblivious about stuff that’s not Right Under His Nose. That is how the omniscient narrator sounds about the two romantic leads in Mansfield Park.

-They’re also ridiculously, boringly compatible and (to the narrator’s mind) obviously destined for each other. The whole drama about him pining after Maria Crawford and Fanny pining after him and then it all wraps up in a highly abstract, fourth-wall-breaking handful of paragraphs in the last chapter…it’s something of a bitter joke. The fact that Edmund is emotionally dependent on Fanny (note his reactions when he’s all peopled out at the end of the ball) while he’s obsessing over Mary is part of the joke. The fact that he thinks he molded all Fanny’s opinions and personality while the author drops hints that nature as well as nurture was involved…also part of the joke. The fact that they’re first cousins? That, too, I regret to say, is part of the joke.

Continue reading “Thoughts on Mansfield Park”