On this May the Fourth, Spot the References in Pride & Planetoids 

I’ve previously told the story of how one man’s peculiar career choices led to me asking the question: “What if Darcy went around destroying planets?” and writing a whole book about the answer. But somewhere along the way, I realized that this gentleman was not the only actor to jump from Jane Austen to Star Wars (or vice versa) in a professional capacity. Reader, I set out to include nods to them all. This proved to be tricky because there were two Jane Austen adaptations and one Austen spinoff (The Other Bennet Sister) which went into production while I was writing Pride & Planetoids. Why are Mrs. Jennings, Mrs. Catherine DeBourgh and what seems to be Frederick Wentworth’s dad all related in Pride & Planetoids? Blame a certain lady who played Sophie Wentworth Croft in the 1995 Persuasion, the title character’s foster mother in Andor, Lady Catherine in Netflix P&P, and Mrs. Jennings in S&S2026. Why is Mr. Bennet some kind of relative of Walter Elliot in my novel, and why does he make snarky remarks about a hypothetical “General Pride”? Blame the Scarlet Pimpernel, for taking roles in Rise of SkywalkerPersuasion 2022, and The Other Bennet Sister. Why is Mr. Collins mixed up in a digital impersonation plot, and somehow related to the Knightley family? And so on. If you know your Austen adaptations, and you know your Star Wars, you’ll probably spot the lawyer-friendly in-jokes. Check out Pride & Planetoids at Amazon today! 

Where Did That Come From? The Rest of the Cast from Pride & Planetoids 

For plot-related reasons, I needed Wickham to be more competent than the short-sighted grifter who wreaked so much havoc in the original novel. Even so, he ends up working too many angles at once and having things blow up in his face. I can’t tell you more than that without spoilers.

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Where Did That Come From? The Space Bennets 

When I first came up with the idea for Pride & Planetoids, I decided that Elizabeth Bennet needed to be some kind of Parliamentary backbencher. Spending time in the remote work/zoom conference culture of the early 2020s made it more believable to me that she could live at Longbourn and still participate in the Parliament of Albion the Commonwealth, without having to travel to Albion, the asteroid which gave its name to the Commonwealth. There were a whole horde of supporting characters who were also believable as minor politicians in a large Parliament, which meant that Mr. Collins, Mr. Hurst, etc were all accounted for. I still had to figure out where the Bennet family sat in this society, and that meant figuring out the society itself. 

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Video Thursday: All The Notebooks Edition

A tour of the notebooks I used while writing Pride & Planetoids, the first book in my Jane Austen space opera trilogy, The Stars By Degrees. Some were storebought. Many were handmade or hand-cased. All of them contain the slightly chaotic evidence of a novel being figured out one page at a time.https://youtube.com/shorts/FNEsweKdckQ?feature=share
Music composed with Suno.
Pride & Planetoids is available for preorder here:
Learn more about the world of The Stars By Degrees

Where Did That Come From? Mr. Darcy, Destroyer of Worlds

(Thank you, unknown internet person, for creating this meme. It makes the job of explaining the origins of my latest novel so much easier.)

Well, let’s start with the fact that I am a GenXer, who grew up with a limited selection of movies available to me, and more often than not the only thing my siblings and I all felt like watching was the 1977 Star Wars. For some reason, I was very amused to discover that Grand Moff Tarkin had once been an energetic middle-aged man who killed the Hound of the Baskervilles twice and Count Dracula over and over again. It tickled me even more to discover that he had once played Mr. Darcy in a now-lost BBC adaptation of Pride and Prejudice, roughly a quarter of a century before Star Wars. I asked myself: “What if Darcy went around destroying planets?” And a surprising amount of Pride & Planetoids grew out of that single question. 

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State of the Author, Spring 2026 Edition

The State of the Author is…complicated. On April 9, 2026, I finished the first draft of a murder mystery, ran my DevEditor automation on it, and discovered that it really needed more physical evidence pointing towards the murderer, and more clues in general. The early chapters mostly just needed fairly modest rewrites for tone and emotional content, so I got to work on those right away, figuring that the subconscious would work on the complicated stuff next time I pivoted to one of the WIPs, either Space & Sensibility or HHK0.

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AI as Writer’s Assistant: Marketing with AI 

To the extent that I have a philosophy of AI use, it comes to this: I want AI to handle the tasks I don’t enjoy. Falling in love with a set of characters, following them through their adventures, figuring out how the world around them works…to me, those are the fun parts. If I care enough about a story to want to see it on Amazon with a proper cover and a nonzero chance of someone besides me reading it and caring about it, I want to draft it myself. Hunting for typos and logic fails and things I did wrong? Not the fun parts, which is why I have been using AI more in the revision process. Writing a fanfic nobody but me wants to read? Fun but not as fun as it might be, plus it takes mental energy away from writing things that I might be able to sell. Hence, the Fanficcing with Claude label that turns up in this blog. And then there’s marketing. 

Marketing does not come easily to some writers, and I am one of them. When I’m happy with my writing, my opinion of it sounds too egotistical to share. When I’m unhappy with it, my opinion is too depressing for words. As for keywords, blurbs, covers, search engine optimization, noun phrase optimization, my brain tends to lock up or go down unhelpful rabbit holes. So, I turned to AI, first for cover art and blurb help and then for other marketing tasks.  So, a quick rundown on what I’ve done: 

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AI as Writer’s Assistant: Revising with AI 

So, having gotten Pride & Planetoids revised, formatted, and up for preorder, I thought I’d share a few thoughts on the use of AI in the revision process, both the automations (see here for the original post on this topic) and the chatbot(s). 

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Fanficcing with Claude: Sense and Sensibility and Placage, Scene 28 (Finale)

For more information about this project, please see past posts under the “Sense and Sensibility and Placage” category. Claude managed to leave Marianne – Mari. Fricking. Anne – out of the first draft of this scene. This is the second. I cut a whole two paragraphs of blah blah at the beginning and trimmed other bits throughout. My main takeaway from this particular ai fanfic has been that I do not remotely have the patience to ride herd on a book length ai first draft and make it good enough for publication. Anyway, I hope you’ve enjoyed this fanfic. Stay tuned for The Rector’s Other Business, coming sometime in May.

Departure

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Fanficcing with Claude: Sense and Sensibility and Placage, Scene 27

For more information about this project, please see past posts under the “Sense and Sensibility and Placage” category. Claude has the reputation of being good at writing climactic scenes and rather overwrought for everything else. This was the kind of scene at which it excels. I trimmed a little bombast before and after the duel itself, and Claude’s persistant and unlikely references to cold January weather in New Orleans.

The Duel

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