State of the Dictator, 2025

When I was talking to another writer on Discord, I realized that I tend to be somewhat vague and off-handed when I talk about my writing process, and assume people already know what I’m talking about, so I’m going to walk through the whole process here for transparency’s sake. This process includes the use of AI software for transcription and cleanup of dictated content, but it doesn’t start or end there, so if you are interested in that part, please, bear with me until I get there.

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Friday Fragments

A conversation elsewhere reminded me that Whisper’s raw transcriptions of dictation can be a bit…alarming, so I am showing three versions of a text chunk below. This demonstrates my dictation workflow but in reverse order. For clarity, the first thing you will see is my final-ish draft, followed by what I was working from: Claude’s cleanup of a Whisper transcription, using the commands I’ve shown in the past. The last thing you’ll see is what Claude was working from: Whisper’s transcription of an audio file I dictated.

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Austenian: The Parents of Mansfield Park, Part 1

Ellen Moody admits that only 1796-1797 fully works with the two strongly given dates in the text (Thursday, December 22 for the ball at Mansfield, and a “particularly late” Easter the following spring) but goes with R. W. Chapman’s 1808-1809 dates for the main body of the story, with a bit of handwaving about how the novel is obviously pieced together from partial drafts written at different times, and the “particularly late Easter” is merely an artifact of that process. Here, I am going with the 1796-1797 timeframe for the main plot, which I consider to start with the arrival of the Crawfords and the testing of Edmund and Fanny, and backdating accordingly. But the calendar of the book is heavily debated by scholars, and if you’re doing some sort of crossover work with the elder generation of another Austen novel, you have a lot of room to fudge the timeframes with this one. 

This novel is comparatively easy, in that we have three sisters and their husbands and maybe two other, basically offscreen, sets of parents to keep track of. We start with the fabulous Miss Wards: Miss Elizabeth(1) Ward, Miss Maria Ward and Miss Frances Ward. They were apparently all three of them very good-looking, possibly blonde(1.5) with seven thousand pounds apiece(2) which translates to 350 pounds a year or 87.5 pounds a quarter. 

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State of the Author, 3Q2025

This really should have been “State of the Author, Mid-Year,” but I was dealing with health issues for most of June (nothing serious, just distracting) and then July was kind of busy at work, so here we are…

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Midjourney Monday: Daumier and Austen Part II

There were too many to fit into last week’s post on the results of prompting Midjourney with the name of artist Honoré Daumier and various Jane Austen characters, so here’s the overflow:

Edmund Bertram and Fanny Price (Midjourney doesn’t like her nickname, so use her Christian name of Frances Price. Also there are glancing references to both characters being blonde in the book, and I had to include that in the prompt).

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Midjourney Monday: Meet Honoré Daumier

https://en.wikipedia.org/wiki/Honor%C3%A9_Daumier

This French artist (1808-1879) is perhaps best known for his caricatures, but he was also a capable painter, and I guess he must have painted a bunch of images set in the early ninteenth century, because you can prompt Midjourney with his name and various Jane Austen characters and get something halfway plausible:

Yes, I know Austen said that Jane Bennet was the one who liked green, but these sure look like Lizzy and Darcy to me.

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So, Novelcrafter…

In late 2023/early 2024, well before I started writing the space regency, I was trying to brainstorm it on Sudowrite using the free starting credits, and…didn’t get really anywhere with it. This was I think my first experience with AIs other than the image generator Midjourney, and that probably had more to do with my lack of success than anything in particular about Sudowrite. So, I got curious about Novelcrafter, partly because I heard good things about its abilities to store and organize world-building notes, and partly because it could integrate with the Claude AI family, which I use fairly heavily on the free plan; mostly for dictation cleanup and sometimes brainstorming. So, I opened an account on Novelcrafter and one on Openrouter.ai, because it was one of the options for bringing an AI into Novelcrafter, bought a few credits on Openrouter to pay for the AI usage, and imported the space regency (now at 16000 words) into the free trial of Novelcrafter…

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For the People Who Complain that Claude AI is Too Much of a Sycophant

Here’s Claude’s response to the latest round of dictation cleanup I brought him, yesterday evening:

I mean, give me a break, Claude, I recorded that while driving home after an uncomfortable medical appointment (nothing serious, just uncomfortable) in excruciatingly hot weather (also known by its street name, “summer”) with the car AC going full blast.

(Please note that in this particular chat, Claude is completely turned around about Chloe Fortebat’s last name. I don’t find it to be worth the trouble of correcting him in this particular instance, it’s just a bit of find/replace when I take the text back to my word processor and do additional editing.)