Austenian: The Parents of Mansfield Park, Part 1

Ellen Moody admits that only 1796-1797 fully works with the two strongly given dates in the text (Thursday, December 22 for the ball at Mansfield, and a “particularly late” Easter the following spring) but goes with R. W. Chapman’s 1808-1809 dates for the main body of the story, with a bit of handwaving about how the novel is obviously pieced together from partial drafts written at different times, and the “particularly late Easter” is merely an artifact of that process. Here, I am going with the 1796-1797 timeframe for the main plot, which I consider to start with the arrival of the Crawfords and the testing of Edmund and Fanny, and backdating accordingly. But the calendar of the book is heavily debated by scholars, and if you’re doing some sort of crossover work with the elder generation of another Austen novel, you have a lot of room to fudge the timeframes with this one. 

This novel is comparatively easy, in that we have three sisters and their husbands and maybe two other, basically offscreen, sets of parents to keep track of. We start with the fabulous Miss Wards: Miss Elizabeth(1) Ward, Miss Maria Ward and Miss Frances Ward. They were apparently all three of them very good-looking, possibly blonde(1.5) with seven thousand pounds apiece(2) which translates to 350 pounds a year or 87.5 pounds a quarter. 

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State of the Author, 3Q2025

This really should have been “State of the Author, Mid-Year,” but I was dealing with health issues for most of June (nothing serious, just distracting) and then July was kind of busy at work, so here we are…

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Belinda, By Maria Edgeworth

Edgeworth was a popular “lady novelist” of Jane Austen’s time, perhaps best-known today for her novels (Castle Rackrent, etc) critiquing the Anglo-Irish gentry and their mistreatment of their Irish Catholic tenants. Austen admired her enough to namecheck Belinda in a positive way in Northanger Abbey, and sent her a copy of Emma upon publication. Edgeworth took a while to warm up to Emma and disliked Northanger Abbey even more heartily than I do, but thought moderately well of Mansfield Park, and when I read Belinda for myself, I saw a certain resemblance to Mansfield Park: the thousand foot view of the plot, the messy characters. The setting, the character types and the plot are very different though, and the craftmanship not in Jane Austen’s league. That’s the short version; if you want more details, along with spoilers for most major plot twists, plus me pontificating about adaptation possibilities, read on….

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Austenian: The Parents of Sense and Sensibility, Part 2

They’re creepy and they’re kooky, mysterious and spooky, they’re altogether very often ooky, the Brandon family. Colonel Brandon, like Edward Ferrars, seems to be the pick of a not great litter. He has a deceased father who was a pretty bad lot, a deceased older brother who was a thoroughly bad lot, and a deceased cousin/childhood sweetheart named Eliza, apparently the same age as himself. The two tried to elope to Scotland when they were both sixteen or seventeen(1) but were caught through the treachery of Eliza’s maid. The future Colonel was forcibly packed off to India (implying somebody in the family had ties to the East India Trading Company). Cousin Eliza, who was an heiress, was bullied into marrying the Colonel’s older brother so her fortune could be used to pay off the debts Bad Dad Brandon and Bad Brother Brandon had incurred.

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Midjourney Monday: Daumier and Austen Part II

There were too many to fit into last week’s post on the results of prompting Midjourney with the name of artist Honoré Daumier and various Jane Austen characters, so here’s the overflow:

Edmund Bertram and Fanny Price (Midjourney doesn’t like her nickname, so use her Christian name of Frances Price. Also there are glancing references to both characters being blonde in the book, and I had to include that in the prompt).

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Austenian: the Parents of Sense and Sensibility, Part I

Note: I disagree with Austen scholar Ellen Moody on her P&P chronology, which ignores the billeting of soldiers upon Meryton as a plot point dating the story, and disregards the modest but plainly stated age gap between Wickham and Darcy. I have my nitpicks with her S&S chronology as well (notably Edward’s age: how do you add nineteen to four and get twenty-five?) but I agree with her, for the purposes of this discussion, that the majority of the novel takes place from spring of 1797 to spring of 1798. Because of the varying ages of the major players in the story, their parents’ relationships probably took place at different times, and I will attempt to point out the respective timeframes as best I can.

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