Snow White and the Mutual Support Pact

Everyone’s probably sick and frigging tired of hearing about this movie and its remake, which is a shame, because the original is pretty darn good. Anyway, I found this essay about the dynamic between Snow White and the Dwarves in the 1937 animated film interesting and thoughtful, and respectful of Snow White’s “homemaking” role, which people today tend to poormouth as “not a real job.”

https://everymancommentary.substack.com/p/snow-white-and-the-household-covenan

So…Netflix Pride and Prejudice

I’m not going to be posting a great deal about this project, because my only relative with a Netflix account is a 1990s purist when it comes to Jane Austen adaptations, so it’s not like I’m going to be able to watch this with her anywhere near the time of release. Disclaimer: I tend to be pretty broad-minded about P&P adaptations; I think the 1980 miniseries is the one to beat for humor, and the 1995 miniseries is the one to beat for romance, but the other versions out there have specific virtues of their own, like 2005’s Assembly Ball, 1967’s Kitty Bennet, 1941’s archery scene, and the Italian and Dutch versions of Darcy arranging Lydia’s marriage.

So, mostly, I’m open-minded but kind of meh….

Continue reading “So…Netflix Pride and Prejudice”

Friday Fixes

Last November, I thought I had gotten Undead Flight into pretty decent shape, and looking ahead to a logistically complicated Thanksgiving, thought, “Gee, I might as well push it out the door now.” From a certain point of view: this was the correct move. My grandmother fell terminally ill in early December, I traveled out there once to see her before she passed, and once again for the funeral. It was only around Christmas time that my mother bought a copy of Undead Flight and brought me the bad news: I hadn’t made all the changes she and my father had advised. So, a week or so back, I sat down with a copy of the book loaded on kindle and my trusty notebook, made notes of what needed to be fixed, and made the fixes last weekend. Then Amazon randomly threw a hissy fit about the print cover, so I had to adjust that. (There was a violent stomach bug in between Amazon fussing about my print cover and me feeling well enough to do something about it.) Anyway, by the time you read this on Friday, Undead Flight should be…not perfect, but but improved. I apologize for any inconvenience.

Weird Wednesday: Adapting Persuasion

I have only just started listening to this as an audiobook after reading it some years ago, so this will be only one post. In light of the fact that the version we have was completed shortly before Jane Austen’s death, and is significantly shorter than the novels published in her lifetime, I think it’s reasonable to imagine that she would have expanded it in size and complexity if she’d had time, and plugged some plot holes along the way. This makes me feel comfortable with tweaking the fates and agendas of several of the supporting characters. Also, any miniseries-length adaptation needs fun, non-repetitive little bits of Anne hanging out with Benwick, and the Musgroves and Harvilles and so on.

Continue reading “Weird Wednesday: Adapting Persuasion”

Weird Wednesday: Discovery Writing

I feel like there’s sometimes a tendency among writing gurus to pretend that either you systematically plot everything beat by beat, or you only write the story as it spontaneously generates in your head, with no notes or thoughts about how it’s going. As it happens, I’m reading History of the Lord of the Rings right now. Tolkien is usually described as a discovery writer, and the people who say that are not wrong, but he didn’t necessarily sit around waiting for inspiration to strike either…

Continue reading “Weird Wednesday: Discovery Writing”

Angry All Over Again

I just realized that the morons who claim Mr. Price (the heroine’s biological father in Mansfield Park(1)) is some kind of daughter molesting pervert got the idea from the 1999 film, and now I’m angry at that bleep of a filmmaker all over again.

Just remember people, if you go around claiming Price is an incestuous pervert, and Sir Thomas is indisputably a large-scale, highly sadistic slaveholder(2) you are doing the same thing as the people who think Darcy’s uncle is the Earl of Matlock and Lizzy’s mother is named Fanny, and those blankity-blanks who think that Elrond is a bitter, bullying hater of mortals and Saruman is Extra Strength Dracula and Gandalf is Dumbledore and Denethor is a gluttonous slob. You are confusing the adaptations, however good or interesting they are, with the source material.

(1)In the book, Price is a drunken, lazy and uncouth man who makes occasional “coarse” (according to raised-by-posh-wolves Fanny) remarks about Fanny’s looks and potential boyfriends, of which the only comment actually quoted to the reader sounds like something Mrs. Jennings from Sense and Sensibility would say. Not a good guy but pretty inoffensive compared to the likes of General Tilney from Northanger Abbey.

(2)Sir Thomas’ Antigua holdings mean that he’s implicated in a slave-based economy to at least some extent, but there were in fact properties in that part of the world – lumber plantations for instance – which used paid freemen for labor rather than slaves. There’s absolutely nothing in the book to indicate which kind of labor his Antigua property runs on, and some indications – abolitionist-reading Edmund’s framing of the offscene conversation between abolitionist-reading Fanny and Sir Thomas about the slave trade – which make it seem like Sir Thomas is not necessarily all that comfortable with slavery. It’s not objectively wrong to make Sir Thomas an evil slave-torturing so-and-so in adaptation. But nothing makes it an inherently superior interpretation of the book, or even an interpretation of the book more soothing to modern consciences, than the alternatives. The book says so little about his activities in Antibes that you could just as easily imagine him as being repelled by the horrors of slavery when he sees them up close, and then spending all that time in Antibes trying to manumit slaves from his hypothetical sugar plantation or trying to divest himself of his hypothetical lumber plantation because even though he’s not using slaves himself, he can’t bear to do business with the slave-owners.

Golden Age Mystery Writers: A Quick Guide to the Big Guns

Pretty much all of these authors have good and bad works, and most have a point at which they stop being consistently good, although possibly by that point you’re fond enough of their work to keep reading. Here’s my advice about what to read by them. Please note that I assume you already know these people starting writing nearly a hundred years ago, and the most prolific of them died about fifty years ago. Their beliefs, prejudices and assumptions were different from those common today. This is a big post, and I’m not going to cudgel my brains trying to remember which books contain scenes which would be considered offensive.

Continue reading “Golden Age Mystery Writers: A Quick Guide to the Big Guns”

Friday Fragments: Chloe and the Wolf

An example of me getting a bit rambly during the previous week’s dictation session. This got cut because Maxim’s cousin Victor interjected himself into the conversation earlier than I originally thought. And it’s not entirely in character for Maxim to try to shield Chloe to that extent.

Continue reading “Friday Fragments: Chloe and the Wolf”