Category: LLMs

Fanficcing with Claude: Sense and Sensibility and Placage, Scene 5

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For more information about this project, check out the earlier posts in the category “Sense and Sensibility and Placage.” Claude did very well on its first draft. For the redraft, I asked it to rework an incoherent description of what the Dashwoods’ mother was doing with her hands during the cart ride, and have Marianne show more emotion. My instinct is that free women of color in this time and place would not have survived long, if they showed the overwrought behavior that Marianne and her mother do in the Austen novel. But Marianne isn’t Marianne if she isn’t the most emo person in any given room. Then I realized this was the right time to introduce Edward, and that led to two more drafts. I manually removed an em-dash rather than ask for another draft.

Journey to Faubourg Marigny

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Fanficcing with Claude: Sense and Sensibility and Placage, Scene 4

Posted on Posted in ai, Jane Austen, LLMs, Sense and Sensibility and Placage, Weird Science, WritingTagged , , , Leave a comment

For the origins of this project, see previous posts in “Sense and Sensibility and Placage” category. Claude’s first draft was fairly satisfactory on this one, and draft two was me asking for em-dash removal and sentence level fixes in a few places where the AI’s lack of logic became obvious. The words “with her [Frances’s] advice” are mine. I didn’t like what Claude had there but couldn’t justify mucking around with a third draft for it.

Planning the Departure

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Fanficcing with Claude: Sense and Sensibility and Placage, Scene 3

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For more information about this project, please see past posts under the “Sense and Sensibility and Placage” category. Claude, amazingly, got through draft 1 with no em-dashes! I asked for a rephrase of one sentence that felt anachronistic to me, and to break down a loooong sentence that ended this scene in draft 1. Otherwise draft 2, which you see here, is much what draft 1 was. I did realize at the last minute that this needed to come before the first Marianne POV, even though the latter was written first, and adjusted the scheduling accordingly. I haven’t had much reason to quarrel with these early setup scenes, but we will see how Claude does once the romance arcs start.

Letter from Mrs. Jennings

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Fanficcing with Claude: Sense and Sensibility and Placage, Scene 2

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For more information on this fanfic project and why I outsourced the drafting of it to Claude, see the previous post in the “Sense and Sensibility and Placage” category. Claude completed this scene in five and a fraction drafts. It started out with a confused approach to the will, which draft two corrected after I set it on the right path. It also had John Dashwood offering a cottage (supposed to be the property of Mrs. Jennings) to his half-sisters. I got it to correct that and the em-dashes in draft three. The last fractional draft was to address a particular bit where John Dashwood talks around how much money he’s going to give his stepmother/half-sisters per annum. I sympathized with Claude’s desire not to specify an amount in currency, but I thought there was a better way of not committing ourselves, and asked for a redraft. Then I realized that Celeste Dashwood, the heroines’ mother really needed to be present and at least somewhat active for this scene. And then I caught a couple of other minor things I wanted to correct, so then came draft five. Eleonore’s last line in the scene is my rewording of Claude, and minor edits by me were also made for continuity with later scenes.

The Promise and Its Breaking

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Fanficcing with Claude: Sense and Sensibility and Placage, Scene 1

Posted on Posted in ai, Jane Austen, LLMs, Sense and Sensibility and Placage, Weird Science, WritingTagged , , 6 Comments

Up til now, the only writing projects I have let Claude draft are fanfics that I wanted to read but don’t care enough to write myself. This one is a retelling of S&S set in New Orleans in 1813-1814 with the female leads as placées. In this case, I did so partly because I felt uncomfortable with trying to recreate the often downbeat tone of the source novel. Another reason I undertook this was to get a better feel for Claude’s project feature. I will probably do a process post either at the end of this experiment or maybe the midway point. Below the cut is Claude’s third draft of the first. Its first draft elided any discussion of the heroines’ ethnicity and social status, which is pretty important to this retelling. After I had it fix that, I told it to eliminate the em-dashes (which it tried to argue with me about) and rework a labored metaphor about Henry Dashwood’s illness. The result is below the cut.

The Death of Henry Dashwood

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So, Claude CoWork

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Since my last series of AI process posts, the much hyped Claude CoWork finally came to Windows. I was curious about it, so I upgraded to a Claude Pro account. I am enjoying the increased chatbot usage that comes with a Pro account. Claude, possibly, is not. Periodically it starts gently hinting that we are DONE with a particular subtopic and need to MOVE ON. As for CoWork itself, the Windows version is very glitchy. I’ve only gotten a modest amount of useful work out of it. Specifically, I wanted to go back and make clearer POV shift indicators for some of my past novels. I put the manuscripts in a subfolder of the only folder on the computer that CoWork has access to. Then I asked CoWork to review each manuscript, and write a report which quotes the first sentence after each POV shift. Here’s a couple observations:

-Opus 4.6 glitches out less often than Sonnet 4.6 does in Cowork mode, but lives up to its reputation as a usage hog. Reviewing one 50K-ish word manuscript and writing the report on it used up most of a Pro Plan usage session. I ended up running these tasks at times when my session limits had reset, and I did not expect to need Claude for a while. Late at night, early in the morning, times like that.

-Even Opus 4.6 glitches out in CoWork when asked to write fanfic. This might be a guardrail related to Anthropic’s predominantly corporate focus for CoWork. Or maybe I’m not giving it clear enough instructions. As you can see from the past “Fanficcing with Claude” posts, I tend to be pretty general in my fanficcing instructions.

-My initial feeling is that CoWork is going to be most useful for tasks too large for a chatbot and too specific to justify building a whole automation, but we’ll see how it goes.

Notebooks

Posted on Posted in ai, Art, bookbinding, Cool Books, Covers, Jane Austen, LLMs, Mel Dunay, Space Opera, Star Wars, Weird Science, WritingLeave a comment

Having gone on at great length about my AI secretaries, I guess I should show you the…more analogue side of my writing process: notebooks. (Disclaimer: I do not use fountain pens and cannot vouch for whether any of these are good for fountain pens.)

I don’t generally “journal” in the conventional sense of writing about my day or my feelings or whatever. (Although this year I’m trying to do gratitude journaling as a Lenten resolution.) I do write up todos to myself, when I am really concerned, or notes after doctor’s visit, or notes when comparison shopping for major purposes. But mostly, I take notes on stories I’m thinking about writing. I collect a lot of cool notebooks, and I also make my own, with varying degrees of success. Below the cut, a couple of examples, with excerpts from the writing process that produced Pride & Planetoids.

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AI as Writer’s Assistant: the Automation Edition  

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(Please note: this post was written and scheduled before the big blowup about the changes to Perplexity’s terms of service, and the automation work described here entirely predates the implementation of those TOS changes on 1/23/2026. I can no longer suggest Perplexity as a support tool for this kind of work, but am mentioning my use of it for transparency’s sake.)

After making  Claude.ai my virtual secretary, genre cheerleader, and typo spotter, the next logical step was automating the repetitive bits. The main reason to go to automations in the first place for certain forms of work is that the AI chatbots cannot hold a 50K manuscript (the length I mostly write to) in its memory. I conducted a few early experiments on Make.com. One of these automations analyzed public domain mysteries from the Golden Age to get a feel for the plot structure. Another was designed to give Amazon genre and SEO advice for my own books. Others helped me pinpoint quotes from the Hunter Healer King trilogy to share on social media, and scenes from the books which might lend themselves to book videos.  

By January 2026, I was burning through Make.com’s free account limits far too fast. Through the Nerdy Novelist on Youtube, I heard about n8n, an open-source automation tool which can be self-hosted on the user’s computer. The only cost for running the automations would be the API credits  spent on the ai models of my choice at OpenRouter.ai. 

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AI as Writer’s Assistant: the Chatbot Edition 

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A lot of the discourse surrounding AI in the writing sphere seems to focus on people whose ambition is to become a sort of digital James Patterson (or Edward Stratemeyer or Auguste Maquet, depending on their education level) with the LLMs as their ghost-writers. I’ve found the videos put out by this faction of AI-friendly writers somewhat helpful. But I am a writer who usually starts with a couple of lead characters and an endpoint and a starting point nailed down, maybe a few milestones in between dimly visible in the mist. The exhaustive outlining, character sheets, and editing recommended by this AI-friendly faction mostly looks, well, exhausting, even when the AI generates most of it, and the human just checks and polishes. In some cases, the outlines for this approach look more like a “zero draft” and involve a lot of human input, which is why I don’t think  it’s fair to level “you didn’t write that” complaints at this faction. 

My own process for the current WIPs goes something like this: dictate in mp3 format, have a local instance of whisper transcribe the result, take it to my free-tier Claude account to have the ai cleanup the result, add punctuation, and so forth. It helps to have prompting instructions that specifically ask the chatbot to maintain the writer’s voice. You can see the ones I use here. 

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Fanficcing With Claude.ai: Bollywood Edition 

Posted on Posted in ai, LLMs, Mystery, Weird Science3 Comments

Digging around on my cloud accounts, I found a couple of fanfics that had survived the Great Purge mentioned in a previous post. Both of them were a bit longer and more carefully executed than the quick-hit  fanfic I discussed in that post, and both were for a heist movie from India which I saw about twelve or thirteen years ago, and was briefly obsessed with.  

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