The Novels of Marie Belloc Lowndes: The Ones That End Where Agatha Christie Begins

(Note: As previously indicated, the Lowndes books I have read are mostly available on Gutenberg and/or Amazon. In past reviews of early 20th century books, I have not made any effort to offer content warnings, on the assumption that anybody reading these reviews knows better than to expect present-day attitudes on certain topics from books of this timeframe. I am continuing with that assumption here.)

Alot of Agatha Christie’s novels feel like we’re on the outside of some messy domestic situation, looking in at the situation shortly before and after it turns violent. If you ever wondered what seeing the inside of those situations would be like, you’re in luck! Marie Belloc Lowndes wrote lots of those. The characterization is a mile wide and an inch deep, and the situations tend to repeat themselves, but to me, there’s something insistent and weirdly compelling about the way Lowndes shows the reader every component in these emotional powder kegs. As a bonus, you get a good look at the kind of expectations authors like Agatha Christie set out to subvert, because the whodunnit components of these mysteries tend to be pretty banal.

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The Novels of Marie Belloc Lowndes: Hercule Popeau and Various Innocents Abroad

(Note: As previously indicated, the Lowndes books I have read are mostly available on Gutenberg and/or Amazon. In past reviews of early 20th century books, I have not made any effort to offer content warnings, on the assumption that anybody reading these reviews knows better than to expect present-day attitudes on certain topics from books of this timeframe. I am continuing with that assumption here.)

The second-most famous thing Lowndes did, (the most famous being her novel The Lodger), was to write a novel called The Lonely House, in which a sheltered, financially prosperous young Englishwoman fetches up in Monaco, only to be caught up in a love triangle and menaced by people who are after her money, although she has trouble grasping their bad intentions.

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The Novels of Marie Belloc Lowndes: The Lodger

There’s a famous quote by Alfred Hitchcock, about how (paraphrasing) a bomb going off in a scene with no buildup is surprise, while watching the buildup to a bomb going off, knowing there is a bomb about to go off, is suspense. I’ve been reading a bunch of Marie Belloc Lowndes lately, and it seems safe to say that Hilaire Belloc’s sister was a suspense writer, when she wasn’t writing flat-out soap opera. Her best-known novel is The Lodger,(1) which is available for free on Gutenberg or very cheaply on Amazon (basically you’re paying to spare yourself the hassle of getting the book into kindle by yourself).

Essentially, this is the story of Mr. and Mrs. Bunting,(2) a former butler and his very prim second wife, who have gone into business for themselves, subletting rooms in their rental house with the understanding that they will feed the lodgers and clean up after them etc. Business has been bad, and the husband, a true-crime buff, has been distracting himself by following the exploits of a Ripper-like serial killer called the Avenger, who seems to specialize in killing formerly respectable women who’ve gone off the skids due to alcoholism(3). A young policeman acquaintance keeps Mr. Bunting supplied with all the latest news on the case, including some tidbits that he really should keep to himself. By the merest of accidents, Mrs. Bunting ends up being the one who answers the door when a gaunt, nervous gentleman shows up asking for lodgings.

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Stupid Fan Predictions About Christopher Nolan’s Odyssey

Everybody’s buzzing about this newly announced project, so I thought I’d lay down a few markers about how I think this is going to play out. Please note, I don’t have any inside information nor do I necessarily approve of the decisions I’m describing below, this is just a few thoughts from someone who finds both the Odyssey and Nolan’s movies to be kind of interesting.

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Weird Wednesday: Reviews of Old Mysteries

Golden Age Mysteries are one of my default things to read when I don’t know what I want to read. I thought I’d share thoughts on a few of the less famous mystery writers to cross my radar:

-Victor Luhrs: responsible for The Longbow Murders, a fairly bonkers historical mystery where ruthless, brawling warrior-king Richard the Lion-Hearted solves a series of murders with the help of a twerpy scribe/narrator/Watson wannabe and some brief forensic work on ballistics from Robin of Locksley (yes that Robin of Locksley, and no he’s not in this very much). I enjoyed this old-school take on Richard I, portrayed here as a brash and hot-tempered man, but not a stupid one. The narrator, who’s kind of useless and spends a lot of time thinking patronizing thoughts about his “poor, fat” wife, is a less appealing character. The book does sell that combination of deep-seated respect for religious subjects, with a comparatively casual attitude towards the clergy, that you see in actual medieval works.

Mystery parts are kind of shaky; the author tries to pull off a “least likely person” twist but hasn’t developed the character well enough to sell the twist. Heck, the author doesn’t even seem to realize that some of the goofier aspects of the mystery (murderer using a long bow at close range and leaving taunting notes around) could be an attempt by the murderer to build up an image of themselves very different from the actuality, to deceive the investigators. Still, I found it more entertaining than alot of works by more respected mystery writers. If you like Randall Garrett’s Lord Darcy stories, this has a fair amount of Garrett-style flippancy, and feels a bit like a Lord Darcy prequel set in Richard’s time (when they haven’t discovered the magic/psionic stuff yet). If you get your ideas about the Plantagenets from Becket, Lion in Winter, or Robin and Marian, stay away – this book will annoy you because it’s operating from a completely different set of preconceptions about what the Plantagenets were and what historical fiction should be.

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