Sign of the Times, Austen Edition…

(Disclaimer: I do have a Mr. Collins plot bunny I might write sometime, in which he commits Obfuscating Stupidity and is actually a pretty smart guy underneath, but I don’t intend to invalidate the Bennets’ experiences of him, or demonize Charlotte in the process.)

Rather than give us what would be the first traditional P&P adaptation in 20 years, and the first BBC adaptation in 30 years, the Beeb opts to adapt some fan novel that tries to nice-ify the self-centered hipster known as Mary Bennet, and the clueless buffoon known as Mr. Collins, at the expense of more interesting characters like Charlotte Lucas. And of course, flawed but self-aware Mr. Bennet has horns and a tail. (Although in fairness, it sounds like the author is an equal opportunity hater when it comes to the Bennet parents, which is a reasonable take). And somehow this deserves to be ten episodes(1) long, nearly twice as long as any actual P&P miniseries ever made? And it’s from the modern Dr. Who(2) people?

No, thank you.

(1) of an unspecified length, but it seems like the BBC’s norm in recent years has been for episodes to run about an hour.

(2) Disclaimer: am not a Doctor Who fan in general, so I generally don’t see the involvement of behind-the-scenes people from that franchise in other stuff as being a good thing.

State of the Author, Late 2024

The sequel to Wolf’s Trail is in the late stages of drafting – about 48K with maybe a couple thousand more words to go. Just moving very slowly because I’ve been sick with some respiratory thing for over a month and a half at this point. Starting to do better, which means the creative brain(1) is starting to come back online. With some luck, I should be done by the end of September, take some time off to work on other stuff in October, polish it in November, release by the end of December (around the same time the first book did last year).

(1) as opposed to the critical brain, which you’ve seen a lot of lately with the Jane Austen adaptation posts and the Rings of Power posts

Adapting Jane Austen: Sense and Sensibility, the Rest of the Characters

I felt that the Dashwoods, Ferrarses, and Edward’s secret fiancee needed to all be treated in one post, so here we are with the rest of this large cast of characters…

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Adapting Jane Austen: Sense and Sensibility, The Dashwoods and Ferrarses

I recently finished listening to this book on Librivox (the Karen Savage reading), and decided to start blogging again about adapting Jane Austen. For an introductory essay on the subject, go here. For subsequent essay, click on the Jane Austen category in this blog. As usual, we start with the characters:

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Thoughts on Adapting Jane Austen: Mansfield Park, the Princess Bride version

Mansfield Park does suffer from very “period” attitudes, although not as much as its detractors claim. You will see moments below where I have softened the characters’ behaviors somewhat to plug plot holes or smooth over stuff that tends to rub modern readers the wrong way. I personally feel like the novel suffers more from not enough forward momentum and too much thousand-foot-view of what’s going on; we’re often told what’s happening in general terms without citing specific incidents. Mansfield Park also has a highly intrusive, somewhat fourth-wall-breaking narrator who delights in telling the reader about hypothetical alternative outcomes.

In a word, the best solution to filming Mansfield Park is to go full Princess Bride…

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Thoughts on Adapting Jane Austen: The Characters of Mansfield Park

I’m starting with my take on the characters, as for P&P. All the characters of Mansfield Park itself should be able to swing between a somewhat more stylized, off-kilter performance for reasons that will become obvious in the next post, and a more naturalistic performance for the actual events of the story.

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Thoughts on Adapting Jane Austen: Bingleys and Darcys and Wickham, Oh My!

I am lumping the Bingley-Hurst clan, the Darcy-De Bourg clan (and their former dependent Wickham) together, along with their residences. Next piece or couple of pieces will be on major setpieces of the story.

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