Fanficcing with Claude: Sense and Sensibility and Placage, Scene 1

Up til now, the only writing projects I have let Claude draft are fanfics that I wanted to read but don’t care enough to write myself. This one is a retelling of S&S set in New Orleans in 1813-1814 with the female leads as placées. In this case, I did so partly because I felt uncomfortable with trying to recreate the often downbeat tone of the source novel. Another reason I undertook this was to get a better feel for Claude’s project feature. I will probably do a process post either at the end of this experiment or maybe the midway point. Below the cut is Claude’s third draft of the first. Its first draft elided any discussion of the heroines’ ethnicity and social status, which is pretty important to this retelling. After I had it fix that, I told it to eliminate the em-dashes (which it tried to argue with me about) and rework a labored metaphor about Henry Dashwood’s illness. The result is below the cut.

The Death of Henry Dashwood

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So, Claude CoWork

Since my last series of AI process posts, the much hyped Claude CoWork finally came to Windows. I was curious about it, so I upgraded to a Claude Pro account. I am enjoying the increased chatbot usage that comes with a Pro account. Claude, possibly, is not. Periodically it starts gently hinting that we are DONE with a particular subtopic and need to MOVE ON. As for CoWork itself, the Windows version is very glitchy. I’ve only gotten a modest amount of useful work out of it. Specifically, I wanted to go back and make clearer POV shift indicators for some of my past novels. I put the manuscripts in a subfolder of the only folder on the computer that CoWork has access to. Then I asked CoWork to review each manuscript, and write a report which quotes the first sentence after each POV shift. Here’s a couple observations:

-Opus 4.6 glitches out less often than Sonnet 4.6 does in Cowork mode, but lives up to its reputation as a usage hog. Reviewing one 50K-ish word manuscript and writing the report on it used up most of a Pro Plan usage session. I ended up running these tasks at times when my session limits had reset, and I did not expect to need Claude for a while. Late at night, early in the morning, times like that.

-Even Opus 4.6 glitches out in CoWork when asked to write fanfic. This might be a guardrail related to Anthropic’s predominantly corporate focus for CoWork. Or maybe I’m not giving it clear enough instructions. As you can see from the past “Fanficcing with Claude” posts, I tend to be pretty general in my fanficcing instructions.

-My initial feeling is that CoWork is going to be most useful for tasks too large for a chatbot and too specific to justify building a whole automation, but we’ll see how it goes.

Video Tuesday: Dancing Mecha Edition

https://youtube.com/shorts/XhTQ__CjtVY

A 40-foot mecha dances to Slavic-inspired folk music in this music video from the Hunter Healer King trilogy. The Armor of Arent has been waiting for a worthy pilot. Now it has one. 🎬 Created with AI tools (Midjourney + Suno) 📚 From the gaslamp fantasy series by Mel Dunay! The Hunter Healer King trilogy combines steampunk monster hunting with slow-burn romance. For fans of Patricia Briggs and Lindsay Buroker.

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Due Disclosure: Me and AI and Marketing

To me, AI is a flawed but interesting tool, brought to us by the same flawed (and often corrupt) people who brought us the rest of the modern conveniences we live with. Other people have other opinions about it, and out of respect for them, I try to be transparent about my use of AI.

I do not use AI for first draft writing or for high-level concept and character background work. I have found ai chatbots (mostly Claude.ai) helpful for tasks like:

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Education in the Age of LLMs

Disclaimer: I do not have children, and when I was a child/teenager, I was an extreme misfit, so take what follows with a truckload of salt, and keep in mind that this is meant as kind of a wistful “would be nice if this were the case” rather than “rawr, my way or the high way, there oughtta be a law.”

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State of the Author, 4Q2025

It’s been roughly three months since the last State of the Author, so here’s where I’m at:

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Hunter Healer King 3 blurb

This was a collaboration with Claude.ai, but a bit different from my usual. I had a chat going covering several aspects of the final stretch of the book: dictation cleanup, brainstorming and revision thoughts (basically me feeding it my revisions and seeing if it caught anything obviously wrong like typos, awkward sentences or me losing track of the characters’ movements). The reference docs included a summary of our previous chat, covering the “darkest hour” stretch of the book. Claude’s cheerleading had been very helpful through both these stretches of story, which were difficult to write. I fed the blurbs from the past two books into this chat (which had gotten long enough in terms of total tokens to where Anthropic was throttling it every few messages for a couple of hours). Claude naturally focused way too much on the spoilery third act it knew best, so I had to summarize the earlier stages of the story for it. It then gave me a rough draft I could use, and we went through several rounds of me tweaking it, asking the AI for feedback from a book marketing POV, and me tweaking it some more. The final (for now) version is below the cut, with human text in bold. The taglines for each character are carryovers from earlier blurbs, and have been italicized.

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Midjourney Monday: The Longbourn Ballroom

Longbourn’s ballroom was the site of most of the asteroid’s streaming videos, and Mrs. Bennet had insisted on giving it a more regular shape than most of Longbourne’s interior spaces. The space was an immense rectangle with gleaming white marble floors and columns that reflected the purple and gold lights. The far wall was decorated with a pattern of hexagonal screens set in gold frames, which continued across the ceiling. The main video feeds played out on the screens on the far wall, the more minor ones being relegated to a merely decorative role on the ceiling.