Fanficcing with Claude: Sense and Sensibility and Placage, Scene 8

For more information about this project, check out the earlier posts in the category “Sense and Sensibility and Placage.” Claude’s initial draft was okayish, maybe melodramatic in spots but in a way I enjoyed. I had it redraft to add references to the sisters thinking about Edward and the Colonel. I then prompted for a third draft to remove emdashes and reword some awkward sentences. Manually deleted a few establishing details I didn’t care for.

The Ball

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Fanficcing with Claude: Sense and Sensibility and Placage, the Process Post

As best I can tell, I got the urge for this fanfic from reading about the Hallmark Mahogany version of S&S from 2024. It cast Colonel Brandon, the Dashwood sisters and their mother, plus Lucy Steele, as black, and most of the rest of the characters as white. But this version was set in a Bridgerton-esque AU Regency. It occurred to me that one could do interesting things in 1810s New Orleans with a similar idea. I wouldn’t swear that this hasn’t been done before. I feel like I might have seen it floated as a hypothetical somewhere in the fandom, in the last thirty years that I’ve drifted in and out of it.

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Fanficcing with Claude: Sense and Sensibility and Placage, Scene 7

For more information about this project, check out the earlier posts in the category “Sense and Sensibility and Placage.” Claude didn’t do great on the first draft of this scene, with a serious overuse of the word “particular,” and no inclusion of Marianne to speak of. For draft 2 I prompted it to address those issues along with some more minor stuff (Morin’s backstory and height, Edward joining the party later in the scene. Draft 3 was basically me wanting it to reposition a certain paragraph about Morin’s reactions to Marianne chatting up his ward, and being too lazy to do it myself.

Meeting Colonel Morin and Élise

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Fanficcing with Claude: Sense and Sensibility and Placage, Scene 6

For more information about this project, check out the earlier posts in the category “Sense and Sensibility and Placage.” Claude did very well on its first draft, but then I realized Edward needed to be present, so I asked for a redraft. I deleted a sentence and a half about Marianne that were not justified by her behavior in the story so far, and I deleted a sentence about Henry Dashwood’s judgment of people late in the scene. “He was a better man etc” is something I wrote to replace it.

The New Cottage

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Fanficcing with Claude: Sense and Sensibility and Placage, Scene 5

For more information about this project, check out the earlier posts in the category “Sense and Sensibility and Placage.” Claude did very well on its first draft. For the redraft, I asked it to rework an incoherent description of what the Dashwoods’ mother was doing with her hands during the cart ride, and have Marianne show more emotion. My instinct is that free women of color in this time and place would not have survived long, if they showed the overwrought behavior that Marianne and her mother do in the Austen novel. But Marianne isn’t Marianne if she isn’t the most emo person in any given room. Then I realized this was the right time to introduce Edward, and that led to two more drafts. I manually removed an em-dash rather than ask for another draft.

Journey to Faubourg Marigny

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Fanficcing with Claude: Sense and Sensibility and Placage, Scene 4

For the origins of this project, see previous posts in “Sense and Sensibility and Placage” category. Claude’s first draft was fairly satisfactory on this one, and draft two was me asking for em-dash removal and sentence level fixes in a few places where the AI’s lack of logic became obvious. The words “with her [Frances’s] advice” are mine. I didn’t like what Claude had there but couldn’t justify mucking around with a third draft for it.

Planning the Departure

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Fanficcing with Claude: Sense and Sensibility and Placage, Scene 3

For more information about this project, please see past posts under the “Sense and Sensibility and Placage” category. Claude, amazingly, got through draft 1 with no em-dashes! I asked for a rephrase of one sentence that felt anachronistic to me, and to break down a loooong sentence that ended this scene in draft 1. Otherwise draft 2, which you see here, is much what draft 1 was. I did realize at the last minute that this needed to come before the first Marianne POV, even though the latter was written first, and adjusted the scheduling accordingly. I haven’t had much reason to quarrel with these early setup scenes, but we will see how Claude does once the romance arcs start.

Letter from Mrs. Jennings

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Fanficcing with Claude: Sense and Sensibility and Placage, Scene 2

For more information on this fanfic project and why I outsourced the drafting of it to Claude, see the previous post in the “Sense and Sensibility and Placage” category. Claude completed this scene in five and a fraction drafts. It started out with a confused approach to the will, which draft two corrected after I set it on the right path. It also had John Dashwood offering a cottage (supposed to be the property of Mrs. Jennings) to his half-sisters. I got it to correct that and the em-dashes in draft three. The last fractional draft was to address a particular bit where John Dashwood talks around how much money he’s going to give his stepmother/half-sisters per annum. I sympathized with Claude’s desire not to specify an amount in currency, but I thought there was a better way of not committing ourselves, and asked for a redraft. Then I realized that Celeste Dashwood, the heroines’ mother really needed to be present and at least somewhat active for this scene. And then I caught a couple of other minor things I wanted to correct, so then came draft five. Eleonore’s last line in the scene is my rewording of Claude, and minor edits by me were also made for continuity with later scenes.

The Promise and Its Breaking

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Fanficcing with Claude: Sense and Sensibility and Placage, Scene 1

Up til now, the only writing projects I have let Claude draft are fanfics that I wanted to read but don’t care enough to write myself. This one is a retelling of S&S set in New Orleans in 1813-1814 with the female leads as placées. In this case, I did so partly because I felt uncomfortable with trying to recreate the often downbeat tone of the source novel. Another reason I undertook this was to get a better feel for Claude’s project feature. I will probably do a process post either at the end of this experiment or maybe the midway point. Below the cut is Claude’s third draft of the first. Its first draft elided any discussion of the heroines’ ethnicity and social status, which is pretty important to this retelling. After I had it fix that, I told it to eliminate the em-dashes (which it tried to argue with me about) and rework a labored metaphor about Henry Dashwood’s illness. The result is below the cut.

The Death of Henry Dashwood

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